Publications

Papers

Šeļa, A., Nagy, B., Byszuk, J., Hernández-Lorenzo, L., Szemes, B., & Eder, M. (2024). From Stage to Page: Stylistic Variation in Fictional Speech. In Computational Drama Analysis: Reflecting on Methods and Interpretations (pp. 149–166). De Gruyter. https://doi.org/10.1515/9783111071824-008

Sobchuk, O., & Šeļa, A. (2024). Computational thematics: Comparing algorithms for clustering the genres of literary fiction. Humanities and Social Sciences Communications, 11(1), 1–12. https://doi.org/10.1057/s41599-024-02933-6

Nagy, B., Šeļa, A., De Sisto, M., & Plecháč, P. (2024). Metronome: Tracing variation in poetic meters via local sequence alignment. arXiv. http://arxiv.org/abs/2404.17337

Martynenko, A., & Šeļa, A. (2023). The fall of genres that did not happen: Formalising history of the “universal” semantics of Russian iambic tetrameter. Studia Metrica Et Poetica, 10(2), 89–111. https://doi.org/10.12697/smp.2023.10.2.04

Kanger, L., Tinits, P., Pahker, A.-K., Orru, K., Tiwari, A. K., Sillak, S., Šeļa, A., & Vaik, K. (2022). Deep Transitions: Towards a comprehensive framework for mapping major continuities and ruptures in industrial modernity. Global Environmental Change, 72, 102447. https://doi.org/10.1016/j.gloenvcha.2021.102447

Šeļa, A., & Gronas, M. (2022). Measuring Rhythm Regularity in Verse: Entropy of Inter-Stress Intervals. CHR 2022: Computational Humanities Research Conference, 231–242. https://ceur-ws.org/Vol-3290/short_paper5417.pdf

Šeļa, A., Plecháč, P., & Lassche, A. (2022). Semantics of European poetry is shaped by conservative forces: The relationship between poetic meter and meaning in accentual-syllabic verse. PLOS ONE, 17(4), e0266556. https://doi.org/10.1371/journal.pone.0266556

Idziak, J., Šeļa, A., Woźniak, M., Leśniak, A., Byszuk, J., & Eder, M. (2021). Scalable handwritten text recognition system for lexicographic sources of under-resourced languages and alphabets. In M. Paszynski, D. Kranzlmüller, V. V. Krzhizhanovskaya, J. J. Dongarra, & P. M. A. Sloot (Eds.), Computational Science – ICCS 2021 (pp. 137–150). Springer International Publishing. https://doi.org/10.1007/978-3-030-77961-0_13

Plecháč, P., Cooper, A., Nagy, B., & Šeļa, A. (2021). Beowulf single-authorship claim is unsupported. Nature Human Behaviour, 5(11), 1481–1483. https://doi.org/10.1038/s41562-021-01222-5

Plecháč, P., & Šeļa, A. (2021). Applications. In Versification and Authorship Attribution (pp. 69–91). Karolinum Press. https://doi.org/10.14712/9788024648903.5

Šeļa, A. (2021). Differences, distances and fingerprints: The fundamentals of stylometry and multivariate text analysis [Erinevused, kaugused ja sõrmejäljed: Stilomeetria ja mitmemõõtmelise tekstianalüüsi alused]. Keel Ja Kirjandus, 8-9, 696–718. https://doi.org/10.54013/kk764a3

Šeļa, A. (2021). Russian Self-Taught Poets of the 1820s: Pastoral, Patronage and the British Example. Russian Literature, 119, 15–41. https://doi.org/10.1016/j.ruslit.2021.01.004

Byszuk, J., Woźniak, M., Kestemont, M., Leśniak, A., Łukasik, W., Šeļa, A., & Eder, M. (2020). Detecting direct speech in 19th-century novels. LREC 2020. https://aclanthology.org/2020.lt4hala-1.15

Šeļa, A., Orekhov, B., & Leibov, R. (2020). Weak Genres: Modeling Association Between Poetic Meter and Meaning in Russian Poetry. CHR 2020: Workshop on Computational Humanities Research, 12–31. http://ceur-ws.org/Vol-2723/long35.pdf

Kanatova, M., Milyakina, A., Pilipovec, T., Shelya, A., Sobchuk, O., & Tinits, P. (2017). Broken Time, Continued Evolution: Anachronies in Contemporary Film. Literary Lab Pamphlets, 14, 1–22. https://litlab.stanford.edu/LiteraryLabPamphlet14.pdf

Shelya, A., & Sobchuk, O. (2017). The shortest species: How the length of Russian poetry changed (1750–1921). Studia Metrica Et Poetica, 4(1), 66–84. https://doi.org/10.12697/smp.2017.4.1.03